Let’s continue the exploration of the way we “shape,” or lend basic character, to any given
pitch. This time, we’ll isolate the decay of our notes to really discern the differences. How you
choose to end a note is key to its overall sonic quality.
Pages
Categories
Archives
Official Sites
The Creator
The Pioneers
The Torchbearers
- Botermans, Wilco
- Brown, Elizabeth
- Bucholz, Barbara
- Cantelow, Ann
- Chapelle, Rupert
- Charlton, Gordon
- Chrysler, Dorit
- Eri
- Eyck, Carolina
- Fintushel, Eliot
- Frankel, Thierry
- George, Randy
- Grillo, Thomas
- Hammaker, Jen
- Harrison, Art
- Hoge, John
- Kissinger, Kevin
- Kita, Kazuo
- Kurstin, Pamelia
- Lester, Charles Richard
- Mansueti, Maurizio ErMan
- Mossman, Howard
- Polanco, Ernesto Mendoza
- Ptak, Anthony
- Ra, Armen
- Riboli, Giulia
- Robbie Virus and Project Pimento
- Ross, Eric
- Rostovskaya, Olesya
- Schwimmer, Rob
- shueli
- Simons, David
- Spardel, Amethyste
- Takeuchi, Masami