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	<title>Kip Rosser&#039;s &#34;The Complete Theremin&#34;</title>
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	<link>http://kiprosser.com</link>
	<description>Comprehensive Lessons and Concepts</description>
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		<item>
		<title>Learn to Play the Theremin</title>
		<link>http://kiprosser.com/?p=1161</link>
		<comments>http://kiprosser.com/?p=1161#comments</comments>
		<pubDate>Fri, 09 Sep 2016 22:20:26 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Commentary]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1161</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://kiprosser.com/wp-content/uploads/webber.jpg"><img src="http://kiprosser.com/wp-content/uploads/webber.jpg" alt="" title="webber" width="620" height="482" class="alignleft size-full wp-image-1162" /></a></p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Access Tutorials In Sequence</title>
		<link>http://kiprosser.com/?p=1151</link>
		<comments>http://kiprosser.com/?p=1151#comments</comments>
		<pubDate>Sun, 22 May 2016 17:28:54 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Commentary]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1151</guid>
		<description><![CDATA[VERY IMPORTANT LESSON! For Owners of Moog Etherwave Standard, Pro, Plus, Claravox To Learn How to Set Your Theremin&#8217;s Pitch Control If you&#8217;re just starting out, this is crucial. You want LESSON ZERO. In quotation marks, just type &#8220;Lesson Zero&#8221; in the search field. Then press &#8220;Enter.&#8221; Click on the lesson title and the lesson [...]]]></description>
			<content:encoded><![CDATA[<p><strong>VERY IMPORTANT LESSON!</strong><br />
<strong>For Owners of Moog Etherwave Standard, Pro, Plus, Claravox</strong><br />
<strong><em>To Learn How to Set Your Theremin&#8217;s Pitch Control</em></strong><br />
If you&#8217;re just starting out, this is crucial. You want LESSON ZERO. In quotation<br />
marks, just type &#8220;Lesson Zero&#8221; in the search field. Then press &#8220;Enter.&#8221; Click on<br />
the lesson title and the lesson will play. OR – you can access the lesson on<br />
YouTube by typing in &#8220;Kip Rosser Lesson Zero&#8221;</p>
<p><strong>For Owners of Moog Theremini</strong><br />
<strong><em>Learn How to Calibrate Your Theremini</em></strong><br />
This is the single most important aspect of playing your Theremini. Unless<br />
calibrated correctly, the instrument will malfunction, rendering it unplayable.<br />
<a href="https://www.youtube.com/watch?v=gNuQy8guC18">CLICK HERE to go to the calibration lesson on YouTube</a>.</p>
<p><strong>TO VIEW A LIST OF ALL TUTORIALS</strong><br />
Just click on the &#8220;Complete Tutorial Listing&#8221; tab and you will see all lessons listed in<br />
their proper sequence.</p>
<p><strong>For Lessons 1 through 9</strong><br />
Type a ZERO and lesson number into the search field <em><strong>within quotes</strong></em> (for example,<br />
&#8220;Lesson 01&#8243; &#8220;Lesson 02&#8243; etc).</p>
<p>Press ENTER and you will be taken to a new page. Click on the lesson title and the<br />
lesson will play.</p>
<p><strong>For All Other Lessons</strong><br />
Locate the lesson you&#8217;d like to access in the listing, then type the lesson number<br />
into the search field <em><strong>within quotes</strong></em> (for example, &#8220;Lesson 19&#8243;  &#8220;Lesson 38&#8243; etc.)<br />
and press ENTER. The lesson heading will appear, usually right at the top. Click on<br />
the lesson title and the lesson will play.</p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1151</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tip 1: What To Do When Zero Beat Disappears</title>
		<link>http://kiprosser.com/?p=1142</link>
		<comments>http://kiprosser.com/?p=1142#comments</comments>
		<pubDate>Sun, 22 May 2016 17:21:13 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1142</guid>
		<description><![CDATA[Setting zero beat can become impossible under certain conditions. 1) the pitch circuits &#8220;slip&#8221; over time, and suddenly, you&#8217;re unable to set it; or. 2) you change the location of the theremin to another place (room, stage, library, etc.) and there&#8217;s interference due to lighting, facility wiring, the proximity of other electronics. Here&#8217;s how to [...]]]></description>
			<content:encoded><![CDATA[<p>Setting zero beat can become impossible under certain conditions. 1) the pitch circuits &#8220;slip&#8221;<br />
over time, and suddenly, you&#8217;re unable to set it; or. 2) you change the location of the theremin<br />
to another place (room, stage, library, etc.) and there&#8217;s interference due to lighting, facility<br />
wiring, the proximity of other electronics. Here&#8217;s how to remedy the problem.</p>
<p>&nbsp;</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/wy-bn8jNc70" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1142</wfw:commentRss>
		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Lesson 64The Xtremes: Xtreme Pitches and RhythmsPart 2</title>
		<link>http://kiprosser.com/?p=1090</link>
		<comments>http://kiprosser.com/?p=1090#comments</comments>
		<pubDate>Fri, 30 Aug 2013 03:12:21 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1090</guid>
		<description><![CDATA[This is the final lesson the &#8220;The Complete Theremin&#8221; course, and hopefully, a real challenge for everyone. Let&#8217;s go out on an Xtreme note. The melodic and rhythmic sequences in this tutorial require speed, accuracy and persistence. And they just might be things you already know but have never attempted to play. Have fun! &#160; [...]]]></description>
			<content:encoded><![CDATA[<p>This is the final lesson the &#8220;The Complete Theremin&#8221; course, and hopefully, a real challenge<br />
for everyone. Let&#8217;s go out on an Xtreme note. The melodic and rhythmic sequences in this<br />
tutorial require speed, accuracy and persistence. And they just might be things you already<br />
know but have never attempted to play. Have fun!<br />
&nbsp;<br />
<iframe width="620" height="390" src="https://www.youtube.com/embed/Ws0VHdydQ_0" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1090</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Lesson 63The Xtremes: Xtreme Pitches and RhythmsPart 1</title>
		<link>http://kiprosser.com/?p=1082</link>
		<comments>http://kiprosser.com/?p=1082#comments</comments>
		<pubDate>Mon, 19 Aug 2013 03:24:15 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1082</guid>
		<description><![CDATA[In continuing to work with the precision fan, this lesson introduces two short, briskly paced melodic sequences. The first is a sequence that is primarily a melodic descent, while the second is a melodic ascension. They&#8217;re both designed to test your ability to simultaneously hit precise pitches and synchronize them with rhythm. In addition, since [...]]]></description>
			<content:encoded><![CDATA[<p>In continuing to work with the precision fan, this lesson introduces two short, briskly paced<br />
melodic sequences. The first is a sequence that is primarily a melodic descent, while the<brb><br />
second is a melodic ascension. They&#8217;re both designed to test your ability to simultaneously<br />
hit precise pitches and synchronize them with rhythm. In addition, since the pitch hand moves<br />
back and forth in relation to the pitch rod and the fingers on the volume hand move back and<br />
forth through the threshold, this will intentionally challenge your coordination as they move<br />
sometimes in the same direction and sometimes in opposition.<br />
&nbsp;<br />
<iframe width="620" height="390" src="//www.youtube.com/embed/UM0VcpAlm0Q" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1082</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Lesson 57The Xtremes: Xtreme Volume Hand TechniquesPart 4</title>
		<link>http://kiprosser.com/?p=1069</link>
		<comments>http://kiprosser.com/?p=1069#comments</comments>
		<pubDate>Mon, 12 Aug 2013 03:26:48 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1069</guid>
		<description><![CDATA[In Part 4, pitch is added back into the mix exclusive of rhythm. In an evolution of Lesson 45, the challenge is to see if hitting pitches in a scale is possible in one unbroken movement of the pitch hand, while the volume hand articulates each one. This is the precursor to playing challenging and/or [...]]]></description>
			<content:encoded><![CDATA[<p> In Part 4, pitch is added back into the mix exclusive of rhythm. In an evolution of Lesson<br />
45, the challenge is to see if hitting pitches in a scale is possible in one unbroken movement of<br />
the pitch hand, while the volume hand articulates each one. This is the precursor to playing<br />
challenging and/or rapid melody lines during which there&#8217;s a minimal amount of time to hit a<br />
pitch before moving on to the next. Stay tuned, because Lessons 63 and 64 will put this to<br />
the ultimate test.<br />
&nbsp;<br />
<iframe width="620" height="390" src="//www.youtube.com/embed/OxJK54K9p7I" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1069</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Lesson 56The Xtremes: Xtreme Volume Hand TechniquesPart 3</title>
		<link>http://kiprosser.com/?p=1055</link>
		<comments>http://kiprosser.com/?p=1055#comments</comments>
		<pubDate>Thu, 08 Aug 2013 10:57:32 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1055</guid>
		<description><![CDATA[Transition out of the &#8220;hand fan&#8221; to the more challenging &#8220;precision fan.&#8221; In preparation for incorporating melody, we&#8217;ll continue to disregard pitch and take on complex and rapid rhythms; You&#8217;ll build endurance and accuracy as you work at the threshold. &#160;]]></description>
			<content:encoded><![CDATA[<p>Transition out of the &#8220;hand fan&#8221; to the more challenging &#8220;precision fan.&#8221; In preparation<br />
for incorporating melody, we&#8217;ll continue to disregard pitch and take on complex and rapid<br />
rhythms; You&#8217;ll build endurance and accuracy as you work at the threshold.<br />
&nbsp;<br />
<iframe width="620" height="390" src="//www.youtube.com/embed/Dwel1T4wXSU" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1055</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Lesson 55The Xtremes: Xtreme Volume Hand TechniquesPart 2</title>
		<link>http://kiprosser.com/?p=1044</link>
		<comments>http://kiprosser.com/?p=1044#comments</comments>
		<pubDate>Tue, 30 Jul 2013 12:53:55 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1044</guid>
		<description><![CDATA[First, be sure to work with Part 1 of this series; that is where you learn the basics of the &#8220;hand fan,&#8221; and you&#8217;ll need to be proficient with it when tackling this lesson. We&#8217;ll experiment with rhythms that get progressively more rapid and complex. Be sure to record yourself when working on this and [...]]]></description>
			<content:encoded><![CDATA[<p>First, be sure to work with Part 1 of this series; that is where you learn the basics of the &#8220;hand<br />
fan,&#8221; and you&#8217;ll need to be proficient with it when tackling this lesson. We&#8217;ll experiment with<br />
rhythms that get progressively more rapid and complex. Be sure to record yourself when<br />
working on this and the tutorials that follow; it&#8217;s the best way to determine when you&#8217;ve<br />
become skilled enough at the technique and can then move on.<br />
&nbsp;<br />
<iframe width="620" height="390" src="//www.youtube.com/embed/JPoeIjRhipc" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1044</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lesson 54The Xtremes: Xtreme Volume Hand TechniquesPart 1</title>
		<link>http://kiprosser.com/?p=1036</link>
		<comments>http://kiprosser.com/?p=1036#comments</comments>
		<pubDate>Tue, 30 Jul 2013 12:46:03 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1036</guid>
		<description><![CDATA[In the first of this four-part sequence of lessons, we&#8217;ll review every volume hand technique and begin working toward techniques that help with greater relaxation while playing, cleaner articulation, and the ability to play more rapidly. The new &#8220;transitional&#8221; technique shown here lays the groundwork for what&#8217;s to come, so, make sure to record yourself [...]]]></description>
			<content:encoded><![CDATA[<p>In the first of this four-part sequence of lessons, we&#8217;ll review every volume hand technique<br />
and begin working toward techniques that help with greater relaxation while playing, <br />
cleaner articulation, and the ability to play more rapidly. The new &#8220;transitional&#8221; technique<br />
shown here lays the groundwork for what&#8217;s to come, so, make sure to record yourself in<br />
order to track your progress.<br />
&nbsp;<br />
<iframe width="620" height="390" src="//www.youtube.com/embed/vEhOsHUv_Eo" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1036</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>A Little Bit Live From Joe&#8217;s Pub</title>
		<link>http://kiprosser.com/?p=1023</link>
		<comments>http://kiprosser.com/?p=1023#comments</comments>
		<pubDate>Tue, 23 Jul 2013 16:10:40 +0000</pubDate>
		<dc:creator>KipRosser</dc:creator>
				<category><![CDATA[Treats]]></category>

		<guid isPermaLink="false">http://kiprosser.com/?p=1023</guid>
		<description><![CDATA[Under the auspices of the New York Theremin Society, I was privileged to be part of an evening with four other thereminists. Cinematographer, Kasper Tuxen was on hand and although he shot only very brief sequences of our performances, the celebratory atmosphere and overwhelming audience enthusiasm in very much in evidence. So, here&#8217;s a little [...]]]></description>
			<content:encoded><![CDATA[<p>Under the auspices of the New York Theremin Society, I was privileged to be part of an<br />
evening with four other thereminists. Cinematographer, Kasper Tuxen was on hand and<br />
although he shot only very brief sequences of our performances, the celebratory<br />
atmosphere and overwhelming audience enthusiasm in very much in evidence. So, here&#8217;s a<br />
little bit, live.<br />
<iframe width="620" height="390" src="//www.youtube.com/embed/iDkCSuj_vSU" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://kiprosser.com/?feed=rss2&amp;p=1023</wfw:commentRss>
		<slash:comments>15</slash:comments>
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